All texts copyright Richard Shillitoe
the thirteen streams of
magnificent oil c. 1940
Watercolour and pencil.
12¾ x 8in. (32.7 x 20.7cm.)
On thin tracing paper, foxed. Inscribed with the title top right. Inscribed on the
reverse on the mount: ‘Ithell Colquhoun’ together with the title and ‘ca. 1940’.
Provenance
NT then TGA.
Exhibited
St. Ives, Tate Gallery, 2009.
Literature
Shillitoe & Morrisson, 2014, fig. 12.
In 1887 MacGregor Mathers published “The Kabbalah Unveiled” which contains translations by him of a
number of books in the Zohar, key works of Jewish mysticism. It deals at length with the nature and
attributes of the Supreme Being, also known by many other names, including Macroprosopus; the Ancient
One; the Vast Countenance and Kether. Of particular significance is the beard, divided into thirteen parts,
from which there is a continuous stream of divine light (represented by oil) which illuminates the manifest
world below. The Supreme Being is androgynous but the recipient of the divine light, Microprosopus, is
separated into male and female components.
Although “The Kabbalah Unveiled” does not specify how the Divine Light enters Microprosopus,, simply
stating that it ‘pours forth’ or ‘flows down’ via ‘gateways’, Colquhoun imagines it as entering a female
body, a visualisation of the female component of Microprosopus. She shows the ‘precious balm of
splendour’ entering the body through apertures which include the eyes, nostrils, mouth, nipples, navel,
anus and genitals. These orifices are Colquhoun’s under-standing of the gateways alluded to by Mathers
and which, according to Helena Blavatsky, correspond to the thirteen openings in the female body.
The numbers 1-10 pencilled against certain body parts indicate their association with the appropriate
sephiroth of the Tree of Life. These correspondences also govern the colouring of the figure. Each part of
the body is coloured in accordance with the traditional scheme, as used by the Golden Dawn. So, for
example, Chokmah, numbered 2, is the second of the sephirah. It corresponds to the left side of the head
and face. In the King Scale of colour, it is blue. Binah, the third sephiroth, is associated with the right side
of the face, and is painted crimson as required.
A pencil sketch is with the NT.