All texts copyright Richard Shillitoe
the writer
introduction
The broad range and diversity of Colquhoun’s writings has been known for
some time, but its full extent is still not identified. When Ratcliffe listed her
published works in 2007 he could find fewer than 40 items. When Shillitoe
and Morrisson published their bibliography in 2014, the number they traced
had leapt to over 175. In subsequent months three more have been located,
and others may yet be found. There are probably a small number of poems
and essays in low-circulation occult magazines and in An Tribann, a Breton
nationalist publication, that have not been traced.
Colquhoun’s fascination with words was displayed in her first publication,
The Prose of Alchemy, a celebration of the rich imagery to be found in
alchemical texts. Later it appeared, perhaps unexpectedly, in the
compilation of a glossary of Cornish words and phrases. Her essay The
Mantic Stain was the first article to be published in English on the variety of
automatic methods used in painting and drawing. In addition to Goose of Hermogenes, her one novel published
during her lifetime, she completed one other, I Saw Water, and substantially drafted a third, Destination
Limbo. In addition to her two published travel books she wrote another, The Blue Anoubis, based on a Nile
journey undertaken in 1966. She contributed, by invitation, a series of travel writings to the Times Educational
Supplement, at first sight (and at second) a most improbable outlet for her talents.
Throughout her life Colquhoun published poetry, translations and prose in literary periodicals. Links between
her poetry and her visual images were always present, most notably in the Santa Warna series. In later years,
as she became increasingly concerned with magical researches, the links became stronger, as in The Decad of
Intelligence poetic sequence and the Sephiroth images.
Colquhoun’s published essays on esoteric matters range from a series of introductory articles on the Qabalistic
Tree of Life written for the popular magazine Prediction, to the highly technical pieces on aspects of occult
colour theory that she wrote for the more specialist readership of the Hermetic Journal. Her unpublished
essays cover a wide field, including the relationship between mysticism and blasphemy, the true
hermaphroditic nature of God, the correspondences between the Tree of Life and the ancient British tree
alphabets, and the significance of the Platonic solids.
Her place in the literary environment of contemporary England has not been explored in any detail. Aside from
the obvious effect of surrealism, she was also influenced by the New Apocalypse movement and, to a lesser
extent, in her prose poems, by Mass Observation.